Korg’s Prologue is a good example, as are the MIDI controllers we covered recently in a roundup. However, even unweighted keys can feel premium. In general, the keys have a shape that hits a pressure-sensitive membrane, which translates each keypress into machine-readable data. Unweighted keys are hard to describe well, as there’s little actual mechanics behind their construction. However, they lack a realistic response and weight, making them less than ideal for mastering the nuances of dynamic control. The keys come with velocity sensitivity and are fully sized. The keyboard on the PSR-E363 and the PSR-EW300 is alright, but not the best. Dust will have a hard time hurting the membrane-based buttons – and being kid-proof is also nice. Here, that ends up being another plus in terms of durability. I often praise this quality when discussing more premium digital pianos such as Yamaha’s own higher-end YDP-series. The buttons feel rubbery and lack “clicky-ness”. The layout is intuitive, with commonly used accompaniment controls placed conveniently above where your left hand should be. The buttons are for navigation, tweaking options, and accessing accompaniment features like variations and fills. The backlit monochrome LCD screen sits at the center of the keyboard, flanked by buttons on both sides. The standard arranger keyboard layout is followed here, and if it isn’t broke, why fix it. Kids will have a hard time breaking this keyboard. The black plastic enclosure won’t turn heads with its basic look, but it’s solid enough to withstand a few bumps. As you can see, the two instruments are only different in their key counts and corresponding weight and length.
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